A drama critic is a man who leaves no turn unstoned.
Most drama in our lives is really rather squalid.
We respond to a drama to that extent to which it corresponds to our
The drama is the looking-glass in which we see the hideousness of vice and the beauties of virtue.
The real object of the drama is the exhibition of the human character.
Let us never, never forget that we are the masters of our destiny. No one in all the universes writes our script. We do that, in co-creation with our brothers. As we rewrite our script, our brother must do likewise or leave the stage of our drama.
The trade of critic, in literature, music, and the drama, is the most degraded of all tradesÓ
Drama is action, sir, action and not confounded philosophy.
A talent for drama is not a talent for writing, but is an ability to articulate human relationships.
A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
Soccer is not about justice. It’s a drama, and criminally wrong decisions against you are part and parcel of that.
Experience means conflict, our natures being what they are, and conflict means drama.
The shore is an ancient world, for as long as there has been an earth and sea there has been this place of the meeting of land and water. Yet it is a world that keeps alive the sense of continuing creation and of the relentless drive of life. Each time that I enter it, I gain some new awareness of its beauty and its deeper meanings, sensing that intricate fabric of life by which one creature is linked with another, and each with its surroundings...
There is a common thread that links these scenes and memories -- the spectacle of life in all its varied manifestations as it has appeared, evolved, and sometimes died out. Underlying the beauty of the spectacle there is meaning and significance. It is the elusiveness of that meaning that haunts us, that sends us again and again into the natural world where the key to the riddle is hidden. It sends us back to the edge of the sea, where the drama of life played its first scene on earth and perhaps even its prelude; where the forces of evolution are at work today, as they have been since the appearance of what we know as life; and where the spectacle of living creatures faced by the cosmic realities of their world is crystal clear.
Perhaps passing through the gates of death is like passing quietly through the gate in a pasture fence. On the other side, you keep walking, without the need to look back. No shock, no drama, just the lifting of a plank or two in a simple wooden gate in a clearing. Neither pain, nor floods of light, nor great voices, but just the silent crossing of a meadow.
To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
Krishna is a name of the Supreme. It means "all- attractive." Anything that might attract you has its source in the Supreme. Therefore the Supreme is also known as Rama (rhymes with "drama"). "Rama" means "the highest eternal pleasure.
Baseball is drama with an endless run and an ever-changing cast
The trade of critic, in literature, music, and the drama, is the most degraded of all trades
I try to bring the audience's own drama - tears and laughter they know about - to them.
The drama is not a mere copy of nature, not a facsimile. It is the free running hand of genius, under the impression of its liveliest wit or most passionate impulses, a thousand times adorning or feeling all as it goes; and you must read it, as the healthy instinct of audiences almost always does, if the critics will let them alone, with a grain of allowance, and a tendency to go away with as much of it for use as is necessary, and the rest for the luxury of laughter, pity, or poetical admiration.
By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more and not merely to spend our feelings.
When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or, you have to take a bite out of somebody's face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.
Baseball is drama with an endless run and an ever-changing cast.
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.
In a drama of the highest order there is little food for censure or hatred; it teaches rather self-knowledge and self-respect.