We respond to a drama to that extent to which it corresponds to our dreamlife.
A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.
Drama lies in extreme exaggeration of the feelings, an exaggeration that dislocates flat everyday reality.
The drama is not dead but liveth, and contains the germs of better things.
Cut quarrels out of literature, and you will have very little history or drama or fiction or epic poetry left.
If heaven is the reason and dieing is the door, than why aren't we all leaving what's the drama for?
This used to be about sex. The literature of my people was pornography, filled with cries for mercy, drama enacted on people without prolonged negotiation, partners engaged in a dance in the middle of a bonfire. Now, it's 300-page manuals about how to make sure nothing bad will happen.
Life is funny. Life isn't categorized into comedy, drama, action, is it?So I don't know why they try to categorize everything. It drives me crazy-why it would have to be just a romantic comedy or... I want to have a little integrity, a little story, you know?
For a thousand years, the Bible was almost the only book people read, if they could read at all. The stories that were officially told and portrayed were Biblical and religious stories. That other fount of Western civilization as we know it today the Greek classics went largely unknown until the Renaissance. For our purposes, there's a noteworthy difference between these two literatures: in the Bible people are hardly ever said to be mad as such, whereas in Greek drama they go off their rockers with alarming frequency. It was the rediscovery of the classics that stimulated the long procession of literary madpeople of the past four hundred years.
I said the first thing that came into my head unfortunately. Save the drama for your mama I told her just like an eleven-year-old.
It’s the uncertainty of being accepted that creates the drama in our lives.
But it was drama, high drama: fires at night, the fires that burned people's houses away; bombs fell and left exotically shaped fragments in the form of shrapnel. And we collected it and traded it. As long as we were not hurt -- and I wasn't -- life seemed wonderful.
A car crash harnesses elements of eroticism, aggression, desire, speed, drama, kinesthetic factors, the stylizing of motion, consumer goods, status all these in one event. I myself see the car crash as a tremendous sexual event really: a liberation of human and machine libido (if there is such a thing).
If the people wanted my head I would bow without demur. If I had lost the confidence or respect of the people I would not want to live. The tragedy of the drama is that the very opposite is true.
The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appropriate. But Bad Boys II isn't just bad it's a catastrophic violation of every aspect of cinema that I as a film critic hold dear. It seems to have been constructed with terms like "unwatchable" and "godawful" as its slogans. There are motion picture failures every year the resumes of Hollywood players are littered with them. But, when something this big a would-be blockbuster with recognizable names in the cast and crew collapses in such a spectacular fashion, it's worth taking note. Think of how many starving children could have been fed with the money that was poured into [director] Michael Bay's latest sinkhole.
Callin my ex-girl or e-mailin my mama, youre the only one thats causin me this drama.
The world men incline to see is full of benevolent and malevolent deities who take their cases seriously. Poetry to succeed must speak to these passions, which are more powerful than reason in almost all men. Because poetry needs an audience it is, in Socrates view, too friendly to the enemies of reason. The philosopher has less need to enter into the wishes of the many or, as the wise of our time would put it, into the drama of history, or to be engag. This is why Socrates heightens the enmity between philosophy and poetry.