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Fashion Quotes Fashion is born by small facts, trends, or even politics, never by trying to make little pleats and furbelows, by trinkets, by clothes easy to copy, or by the shortening or lengthening of a skirt.
So soon as a fashion is universal, it is out of date.
He wears his faith but as the fashion of his hat.
Fashion anticipates, and elegance is a state of mind.
Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.
It is difficult, if not impossible, for most people to think otherwise than in the fashion of their own period.
Sudden thy silent beauty on me shone,
Fair as the moon had given thee all her spell.
Then, as Endymion had found on earth,
In unchanged beauty but in fashion changed,
Her whom I loved so long; so felt I then,
Not that a new love in my heart had birth,
But that the old, that far from reach had ranged,
Was now on earth, and to be loved of men.
The author of Amelia, the most singular genius which their island ever produced, whose works it has long been the fashion to abuse in public and to read in secret.
Good melody is never out of fashion
Men tend to take abortion lightly; they regard it as one of the numerous hazards imposed on women by malignant nature, but fail to realise fully the values involved. The woman who has recourse to abortion is disowning feminine values, her values, and at the same time is in most radical fashion running counter to the ethics established by men. Her whole moral universe is being disrupted....[H]ow could they fail to feel an inner mistrust of the presumptuous principles that men publicly proclaim and secretly disregard? They learn to believe no longer in what men say when they exalt woman or when they exalt man; the one thing they are sure of is this rifled and bleeding womb, these shreds of crimson life, this child that is not there.
The works of art, by being publicly exhibited and offered for sale, are becoming articles of trade, following as such the unreasoning laws of markets and fashion; and public and even private patronage is swayed by their tyrannical influence.
And I think that my whole life, looking back at it, I was so rooted in worldly things, in worldly values, fame, fashion and fortune and all the things that are just transient.
When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
And without crippling fear
When we come to it
We must confess that we are the possible
We are the miraculous, the true wonders of this world
That is when, and only when
We come to it.
My belief is based on the fact that string theory is the first science in hundreds of years to be pursued in pre-Baconian fashion, without any adequate experimental guidance.
In all technologically "advanced" countries, fashion has replaced tradition, so that involuntary membership in a society can no longer provide a feeling of community.
Lastly, there are Idols which have immigrated into men's minds from the various dogmas of philosophies, and also from wrong laws of demonstration. These I call Idols of the Theater, because in my judgment all the received systems are but so many stage plays, representing worlds of their own creation after an unreal and scenic fashion.
There are and can be only two ways of searching into and discovering truth. The one flies from the senses and particulars to the most general axioms, and from these principles, the truth of which it takes for settled and immovable, proceeds to judgment and to the discovery of middle axioms. And this way is now in fashion. The other derives axioms from the senses and particulars, rising by a gradual and unbroken ascent, so that it arrives at the most general axioms last of all. This is the true way, but as yet untried.
Girls brought up as you were, in a very strait-laced and puritan fashion, always pant for liberty and happiness, and the happiness they have never comes up to what they imagined. Those are the girls that make bad wives.
It is not given me to trace
The lovely laughter of that face,
Like a clear brook most full of light,
Or olives swaying on a height,
So silver they have wings, almost;
Like a great word once known and lost
And meaning all things. Nor her voice
A happy sound where larks rejoice,
Her body, that great loveliness,
The tender fashion of her dress,
I may not paint them.
These I see,
Blazing through all eternity,
A fire-winged sign, a glorious tree!
My fame had become annoying for my enemies, and a little trying, I confess, for my friends. But at that time all this stir and noise amused me vastly. I did nothing to attract attention. My somewhat fantastic tastes, my paleness and thinness, my peculiar way of dressing, my scorn of fashion, my general freedom in all respects, made me a being quite apart from all others. I did not recognise the fact.
I did not read, I never read, the newspapers. So I did not know what was said about me, either favourable or unfavourable. Surrounded by a court of adorers of both sexes, I lived in a sunny dream.
The system of transportation is not coherent; it is not treated as integral. Roads compete with with railroads and airlines in chaotic fashion, and at immense cost to the nation.
The Phantom Menace is not a masterpiece, but it's an example of how imagination, craftsmanship, and technological bravura can fashion superior entertainment out of something that is far from flawless.
As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality scale have the ability to burrow deep into the subconscious, with unpredictable and occasionally remarkable results. Great works of art can cause euphoria, touch a deep emotional chord, or, in rare cases, affect fundamental changes in a person's outlook on life. Conversely, viewing unwatchable tripe can be damaging, possibly resulting in psychotic episodes, an appreciation of '70s fashion, or leaping to the defense of Pauly Shore. There's something almost profound about enduring a horrifically inept piece of cinema, and Coyote Ugly, living up to every letter in its name, offers the opportunity for such an experience.
The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appropriate. But Bad Boys II isn't just bad it's a catastrophic violation of every aspect of cinema that I as a film critic hold dear. It seems to have been constructed with terms like "unwatchable" and "godawful" as its slogans. There are motion picture failures every year the resumes of Hollywood players are littered with them. But, when something this big a would-be blockbuster with recognizable names in the cast and crew collapses in such a spectacular fashion, it's worth taking note. Think of how many starving children could have been fed with the money that was poured into [director] Michael Bay's latest sinkhole.
During the first quarter of the last century, seaside resorts became the fashion, even in those countries of Northern Europe within the minds of whose people the sea had hitherto held the role of the devil, the cold and voracious hereditary foe of humanity.
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