If you would work any man, you must either know his nature and fashions, and so lead him; or his ends, and so persuade him or his weakness and disadvantages, and so awe him or those that have interest in him, and so govern him. In dealing with cunning persons, we must ever consider their ends, to interpret their speeches; and it is good to say little to them, and that which they least look for. In all negotiations of difficulty, a man may not look to sow and reap at once; but must prepare business, and so ripen it by degrees.
Nature is often hidden; sometimes overcome; seldom extinguished.
When one begins to work in order to bestow, and this goes against ones nature, this is called "toil," since the body (refers to ones wills and desires) opposes it, being that any movement which the body does not see that it will be use for itself, it opposes with all of its strength, and tremendous powers are needed to overcome it.
It pleased the great Creator of the world to make three sorts of living creatures. Angels he made pure spirits, without flesh, and therefore he made them only for heaven and not to dwell on earth. Beasts were made flesh, without immortal souls, and therefore they were made only for the earth and not for heaven: Man is of a middle nature between both, as partaking of both flesh and spirit, so is he made for earth, but as his passage or way to heaven, and not that this should be his home or happiness. The blessed state that man was made for was to behold the glorious majesty of the Lord and to praise him among his holy angels; and to love him, and to be filled with his love forever.
It is at once by way of poetry and through poetry, as with music, that the soul glimpses splendors from beyond the tomb; and when an exquisite poem brings ones eyes to the point of tears, those tears are not evidence of an excess of joy, they are witness far more to an exacerbated melancholy, a disposition of the nerves, a nature exiled among imperfect things, which would like to possess, without delay, a paradise revealed on this very same earth.
Nature is a temple where living columns
Let slip from time to time uncertain words;
Man finds his way through forests of symbols
Which regard him with familiar gazes.
The beautiful in nature is the unmarred result of God's first creative or forming will,and ..the beautiful in art is the result of an unmistaken working of man in accordance with the beautiful in nature.
One of the best maxims in determining our course in life is, to select, at the outset, that in which virtue and principle will be least likely to be put to a test, and in which, from the nature of the calling, a man may bring around him such associations and influences as will be an auxiliary in keeping him in the path of virtue.
Nature herself supplies us with an ascending scale or Alphabet of angles for half a degree up to 60 degrees, Specimens of which are placed in every Elementary School throughout the land. Owing to occasional retrogressions, to still more frequent moral and intellectual stagnation, and to the extraordinary fecundity of the Criminal and Vagabond Classes, there is always a vast superfluity of individuals of the half degree and single degree class, and a fair abundance of Specimens up to 10 degrees. These are absolutely destitute of civic rights; and a great number of them, not having even intelligence enough for the purposes of warfare, are devoted by the States to the service of education. Fettered immovably so as to remove all possibility of danger, they are placed in the class rooms of our Infant Schools, and there they are utilized by the Board of Education for the purpose of imparting to the offspring of the Middle Classes that tact and intelligence of which these wretched creatures themselves are utterly devoid.
The French philosopher Charron was one of the men least demoralised by party spirit, and least blinded by zeal for a cause. In a passage almost literally taken from St. Thomas, he describes our subordination under the law of nature, to which all legislation must conform; and he ascertains it not by the light of revealed religion, but by the voice of universal reason, through which God enlightens the consciences of men. Upon this foundation Grotius drew the lines of real political science. In gathering the materials of International law, he had to go beyond national treaties and denominational interests, for a principle embracing all mankind. The principles of law must stand, he said, even if we suppose that there is no God. By these inaccurate terms he meant that they must be found independently of Revelation. From that time it became possible to make politics a matter of principle and of conscience, so that men and nations differing in all other things could live in peace together, under the sanctions of a common law.
Islam is fundamentally in its very nature a natural religion.
Human nature as we know it is, nevertheless, malleable and manageable. It may be radically modified as a result of advances in bio-, molecular, nano- and computational technologies. It will therefore be essential to establish a clear code of ethics regulating the use of these technologies sooner rather than later.
A good governance paradigm that limits excesses of human nature and ensures an atmosphere of happiness and productivity by promoting reason and dignity is required.
After these matters we ought perhaps next to discuss pleasure. For it is thought to be most intimately connected with our human nature, which is the reason why in educating the young we steer them by the rudders of pleasure and pain; it is thought, too, that to enjoy the things we ought and to hate the things we ought has the greatest bearing on virtue of character. For these things extend right through life, with a weight and power of their own in respect both to virtue and to the happy life, since men choose what is pleasant and avoid what is painful; and such things, it will be thought, we should least of all omit to discuss, especially since they admit of much dispute.
I think we're going to the moon because it's in the nature of the human being to face challenges. It's by the
nature of his deep inner soul ... we're required to do these things just as salmon swim upstream.
Simple, sincere people seldom speak much of their piety. It shows itself in acts rather than in words, and has more influence than homilies or protestations. Beth could not reason upon or explain the faith that gave her courage and patience to give up life, and cheerfully wait for death. Like a confiding child, she asked no questions, but left everything to God and nature, Father and Mother of us all, feeling sure that they, and they only, could teach and strengthen heart and spirit for this life and the life to come. She did not rebuke Jo with saintly speeches, only loved her better for her passionate affection, and clung more closely to the dear human love, from which our Father never means us to be weaned, but through which He draws us closer to Himself. She could not say, "I'm glad to go," for life was very sweet for her. She could only sob out, "I try to be willing," while she held fast to Jo, as the first bitter wave of this great sorrow broke over them together.
The power of God can be detected neither in the world of nature nor in the souls of men. It must not be confounded with any high, exalted, force, known or knowable.
To accomplish the majestically practical work, to shape the whole architecture like a statue, base nothing on impossible modifications of human nature; await nothing from pity.
I like nature but not its substitutes. Naturalist art, illusionism, is a substitute for nature. I remember that in arguing with Mondrian (in Paris 1920s, ed.), he opposed art to nature saying that art is artificial and nature is natural. I do not share this opinion. I do not think that nature is in natural opposition to art. Arts origins are natural.
We do not wish to copy nature. We do not want to reproduce, we want to produce. We want to produce as a plant produces a fruit and does not itself reproduce. We want to produce directly and without meditation. As there is not the least trace of abstraction in this art, we will call it concrete art.
The grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject.
Nature, with equal mind,
Sees all her sons at play
Sees man control the wind,
The wind sweep man away.
All who have achieved excellence in art possess one thing in common; that is, a mind to be one with nature, throughout the seasons.
When attempts were later made to speak systematically about God and to describe His nature, men became more talkative. They spoke of God's aseity , His being grounded in Himself; they spoke of God's infinity in space and time, and therefore of God's eternity. And men spoke on the other hand of God's holiness and righteousness, mercifulness and patience. We must be clear that whatever we say of God in such human concepts can never be more than an indication of Him; no such concept can really conceive the nature of God. God is inconceivable.
The difficulty here is not producing mere run-of-the-mill outrageousnous, but the nature of the transformational process by which aspects of the world are made over into art. How to prevent the ugly (what we have agreed to call ugly) from becoming, in some sense, beautiful (what we now agree to call beautiful) over time, thus losing the electrical charge which made the artist choose it in the ﬁrst place? You cant. But there are strategies of delay. Cline, with the aid of some truly revolting politics, managed to remain a monster almost to the end.