All objects lose by too familiar a view.
One principle reason why men are so often useless is that they divide and shift their attention among a multiplicity of objects and pursuits.
Anger and jealousy can no more bear to lose sight of their objects than love.
Culture relates to objects and is a phenomenon of the world; entertainment relates to people and is a phenomenon of life.
Gravity is a contributing factor in nearly 73 percent of all accidents involving falling objects.
Yellow-colored objects appear to be gold
What is difficulty? Only a word indicating the degree of strength requisite for accomplishing particular objects; a mere notice of the necessity for exertion; a bugbear to children and fools; only a stimulus to men.
To be worth making at all a journey has to be made in the mind as much as in the world of objects and dimensions. What value can there be in seeing or experiencing anything for the first time unless it comes as a revelation? And for that to happen, some previously held thought or belief must be confounded, or enhanced, or even transcended. What difference can it make otherwise to see a redwood tree, a tiger, or a humming bird?
The strategy of semantic ascent is that it carries the discussion into a domain where both parties are better agreed on the objects (viz., words) and on the main terms connecting them. Words, or their inscriptions, unlike points, miles, classes and the rest, are tangible objects of the size so popular in the marketplace, where men of unlike conceptual schemes communicate at their best. The strategy is one of ascending to a common part of two fundamentally disparate conceptual schemes, the better to discuss the disparate foundations. No wonder it helps in philosophy.
Yellow-colored objects appear to be gold.
Darwin's theory of evolution was simple, beautiful, majestic and awe-inspiring. But because it contradicts the allegorical babblings of a bunch of made-up old books, it's been under attack since day one. That's just tough luck for Darwin. If the Bible had contained a passage that claimed gravity is caused by God pulling objects toward the ground with magic invisible threads, we'd still be debating Newton with idiots too.
I confidently expect that we shall continue to be grouped with mothers-in-law and Wigan Pier as one of the recognized objects of ridicule.
In all human affairs there are efforts, and there are results, and the strength of the effort is the measure of the result. Chance is not. Gifts, powers, material, intellectual, and spiritual possessions are the fruits of effort; they are thoughts completed, objects accomplished, visions realized.
The Vision that you glorify in your mind, the Ideal that you enthrone in your heart this you will build your life by, this you will become.
We were always adroiter
with objects than lives, and more facile
at courage than kindness: from the moment
the first flint was flaked this landing was merely
a matter of time. But our selves, like Adam's,
still don't fit us exactly, modern
only in this our lack of decorum.
When one looks into the window of a store which sells devotional art objects, one can't help wishing the iconoclasts had won.
Nobody objects to a woman being a good writer or sculptor or geneticist if at the same time she manages to be a good wife, a good mother, good-looking, good-tempered, well-dressed, well-groomed, and unaggressive.
Inanimate objects can be classified scientifically into three major categories: those that don't work, those that break down and those that get lost.
The goal of all inanimate objects is to resist man and ultimately to defeat him, and the three major classifications are based on the method each object uses to achieve its purpose. As a general rule, any object capable of breaking down at the moment when it is most needed will do so.
In one sense 'there are' both universals and material objects, in another sense there is no such thing as either: statements about each can usually be analysed, but not always, nor always without remainder.
Destiny is not only a dramatist, it is also its own stage manager. That is, it sets the entrances of the characters on scene, gives them letters and other objects, and produces the off-stage noises to go with the dialogue: thunder, a carriage, a shot.
Certainly we do not need quantum mechanics for macroscopic objects, which are well described by classical physics this is the reason why quantum mechanics seems so foreign to our everyday existence.
Adding radio-frequency identification and other sensors to everyday objects will create an Internet of Things, and lay the foundations of a new age of machine perception.
Liberty and good government do not exclude each other; and there are excellent reasons why they should go together. Liberty is not a means to a higher political end. It is itself the highest political end. It is not for the sake of a good public administration that it is required, but for security in the pursuit of the highest objects of civil society, and of private life. Increase of freedom in the State may sometimes promote mediocrity, and give vitality to prejudice; it may even retard useful legislation, diminish the capacity for war, and restrict the boundaries of Empire.
Scholarship has yielded to the irresistible pull that science exerts on our minds by its self-confidence and the promise of certified knowledge. But, to repeat, the objects of culture are not analyzable, not graspable by the geometric mind. Great works of art are great by virtue of being syntheses of the world; they qualify as art by fusing form and contents into an indivisible whole; what they offer is not "discourse about," nor a cipher to be decoded, but a prolonged incitement to finesse. So it is paradoxical that our way of introducing young minds to such works should be the way of scholarship.
Imagination is perhaps the most decisive characteristic of mankind. My dream is the imagination of space to change the optical impression of the world of objects by a transcendental arithmetic progression of the inner being. That is the precept. In principal any alteration of the object is allowed which has a sufficiently strong creative power behind it. Whether such alteration causes excitement or boredom in the spectator is for you to decide.
To restore silence is the role of objects.