The more powerful and original a mind, the more it will incline towards the religion of solitude.
Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But it also gives birth to the opposite: to the perverse, the illicit, the absurd.
When we discover that the truth is already in us, we are all at once our original selves.
Private property was the original source of freedom. It still is its main bulwark.
While other women's magazines in the market focus on fashion and beauty, we will be the only luxury-lifestyle magazine with an original, provocative approach to fashion, beauty, society, art, culture, travel and entertainment.
Americans can eat garbage, provided you sprinkle it liberally with ketchup, mustard, chili sauce, Tabasco sauce, cayenne pepper, or any other condiment which destroys the original flavor of the dish
A man is original when he speaks the truth that has always been known to all good men.
Be regular and orderly in your life, so that you may be violent and original in your work.
The ceaseless, senseless demand for original scholarship in a number of fields, where only erudition is now possible, has led either to sheer irrelevancy, the famous knowing of more and more about less and less, or to the development of a pseudo-scholarship which actually destroys its object.
Cancer patients are lied to, not just because the disease is (or is thought to be) a death sentence, but because it is felt to be obscene -- in the original meaning of that word: ill-omened, abominable, repugnant to the senses.
Because Islam in its original form was tough and hard, not weak and pliable.
Many of our greatest American thinkers, men of the caliber of Thomas Jefferson, Henry Thoreau, Mark Twain, William James, and John Muir, have found the forest and effective stimulus to original thought.
When Democrats open their mouths, they try to say something interesting. If the true thing is obvious and boring, the liberal person will go off and say something original, even if it is completely idiotic. This is how deconstructionism got started.
We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
Do you believe this is simply trickle-down Machiavellianism in much the same way that Communism trickled down as an aberration of its original intent?
Physical evils are in nature inseparable from animal life, they commenced existence with it, and are its concomitants through life; so that the same nature which gives being to the one, gives birth to the other also; the one is not before or after the other, but they are coexistent together, and contemporaries; and as they began existence in a necessary dependance on each other, so they terminate together in death and dissolution. This is the original order to which animal nature is subjected, as applied to every species of it. The beasts of the field, the fowls of the air, the fishes of the sea, with reptiles, and all manner of beings, which are possessed with animal life; nor is pain, sickness, or mortality any part of God's Punishment for sin. On the other hand sensual happiness is no part of the reward of virtue: to reward moral actions with a glass of wine or a shoulder of mutton, would be as inadequate, as to measure a triangle with sound, for virtue and vice pertain to the mind, and their merits or demerits have their just effects on the conscience, as has been before evinced: but animal gratifications are common to the human race indiscriminately, and also, to the beasts of the field: and physical evils as promiscuously and universally extend to the whole, so "That there is no knowing good or evil by all that is before us, for all is vanity." It was not among the number of possibles, that animal life should be exempted from mortality: omnipotence itself could not have made it capable of externalization and indissolubility; for the self same nature which constitutes animal life, subjects it to decay and dissolution; so that the one cannot be without the other, any more than there could be a compact number of mountains without valleys, or that I could exist and not exist at the same time, or that God should effect any other contradiction in nature...
When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film. I never think ahead of the shot I'm going to make the following day because if I did, I'd only produce a bad imitation of the original image in my mind. So what you see on the screen doesn't represent my exact meaning, but only my possibilities of expression, with all the limitations implied in that phrase. Perhaps the scene reveals my incapacity to do better; perhaps I felt subconsciously ironic toward it. But it is on film; the rest is up to you.
Most people are even less original in their dreaming than in their waking life; their dreams are more monotonous than their thoughts and oddly enough, more literary.
The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor dirty sheets on the unmade bed and empty bottles on the unswept floor.
There is a simple path to follow, that appears only when you calm your mind. It leads you on a beautiful journey back to your original self; the perfect, beautiful you.
We have also sound houses, where we practice and demonstrate all sounds and their generation. We have harmonies which you have not, of quarter sounds and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have; together with bells and rings that are dainty and sweet. We represent small sounds as great and deep; likewise divers trembling and warblings of sounds, which in their original are entire. We represent and imitate all articulate sounds and letters, and the voices of beasts and birds. We have certain helps which set to the ear to do further the hearing greatly. We have also divers strange and artificial echoes, reflecting the voice many times, and as if it were tossing it; and some that give back the voice louder than it came, some shriller and some deeper; yea, some rendering the voice, differing in the letters or articulate sound from that they receive. We have also means to convey sounds in tubes and pipes, in strange lines and distances...
The original concept [of Cool World], way back when I sold the film, was that a live action cartoonist would go to bed with a cartoon woman in the cartoon world. They had a child immediately that was a strange combination of live action and animation in one character. This son of the underground cartoonist hates himself for what he is and isn't and goes back to the real world to track his father down. The picture was originally an R rated horror film. Slash and the rest of the characters in Cool World were just friends of Holli and looked nothing like their child.
The major flaw in the American justice system is that appeals focus only on procedural errors, and one's guilt or innocence is never again an issue after the original trial, even if that trial reached the wrong result.
There is no original truth, only original error.
The original sin is to limit the Is. Don't.