A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion... this is the place to go now.
But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons.
You will begin to touch heaven, Jonathan, in the moment that you touch perfect speed. And that isn't flying a thousand miles an hour, or a million, or flying at the speed of light. Because any number is a limit, and perfection doesn't have limits. Perfect speed, my son, is being there.
But the speed was power, and the speed was joy, and the speed was pure beauty.
A car crash harnesses elements of eroticism, aggression, desire, speed, drama, kinesthetic factors, the stylizing of motion, consumer goods, status all these in one event. I myself see the car crash as a tremendous sexual event really: a liberation of human and machine libido (if there is such a thing).
The film moves at what I consider to be the speed of art which is slow. Cremaster 2 does what I think sculpture does: It moves slowly and requires that one move around it to understand it, and to visit it repeatedly.
The greatest felony in the news business today is to be behind, or to miss a big story. So speed and quantity substitute for thoroughness and quality, for accuracy and context. The pressure to compete, the fear somebody else will make the splash first, creates a frenzied environment in which a blizzard of information is presented and serious questions may not be raised.
A slowly moving queue does not move uniformly. Rather, waves of motion pass down the queue. The frequency and amplitude of these waves is inversely related to the speed at which the queue is served.
The Seventh Seal is one of the few films really close to my heart. Actually, I don't know why. It's certainly far from perfect. I had to contend with all sorts of madness, and one can detect here and there the speed with which it was made. But I find it even, strong, and vital.
If there was ever an action movie that didn't warrant a sequel, it's Speed. However, the film grossed enough money to be numbered among the big summer hits of 1994, and the unfortunate result is this film, which reunites director Jan de Bont with leading lady Sandra Bullock, while leaving Keanu Reeves somewhere safe and dry, "working on his music" with his band, Dogstar. Considering the dubious quality of the final product, this may be the wisest decision of the young actor's career. Speed 2 can be numbered among the worst second chapters ever made.
Our code must be framed to speed the absorption of immigrants into our economy, culture and society; to fuse the returning tribes into a homogeneous national and cultural unit; to forward our physical and moral healing and the cleansing of our lives from the trivia and dross which gathered upon us in dependence and exile. To maintain the status quo will not do. We have set up a dynamic State, bent upon creation and reform, building and expansion. Laws which lag behind development, merely a digest of experience and the lessons of the past, are useless to us. We need to anticipate the character of the times, discern embryonic forms emergent or renewed, and clear the path for circumstantial change.