You win an Oscar, it can double the audience that you had before.
I call it fan fatigue. I went to see Bob Dylan last year, who I think is absolutely incredible, but he suffers from his audience.
When you hire me, you hire a nut who is going to work 24 hours a day for you and never, ever burn his audience.
The first time I got up in front of an audience was terror, abject terror, which continued for another four or five years. There still is, a little bit.
People ask me how far I've come. And I tell them twelve feet: from the audience to the stage.
The audience likes their emotions to be touched. They want to laugh and cry and feel good.
I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along.
Over time, quality work will lead to an audience for your work.
If you really want to help the American theater, don't be an actress, dahling. Be an audience.
I think that by ignoring the show you're ignoring the audience who put you there.
If you want to make an audience laugh, you dress a man up like an old lady and push her down the stairs. If you want to make comedy writers laugh, you push an actual old lady down the stairs.
The audience is the best judge of anything. They cannot be lied to. Truth brings them closer. A moment that lags - they're gonna cough.
The audience should feel like voyeurs. Their response is absolutely crucial.
If you want something from an audience, you give blood to their fantasies. It's the ultimate hustle.
And who knows? Somewhere out there in this audience may even be someone who will one day follow my footsteps, and preside over the White House as the president's spouse. I wish him well!
Somewhere out in this audience may even be someone who will one day follow my footsteps, and preside over the White House as the president's spouse. I wish him well!
I am proud of what I have got and I need an audience.
Any authentic work of art must start an argument between the artist and his audience.
Some people act as though art that is for a mass audience is not good art, and I think this has been a very negative thing. I know that I have wanted very much to write books that are accessible to the widest audience possible.
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
I did not want to be a tree, a flower or a wave. In a dancer's body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being.
When I tried to branch out into comedy, I didn't do very well at it, so I went back to doing what I do naturally well, or what the audience expects from me - action pictures.
We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.
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